The Gothic Monster Girl in Toni Morrison’s The Bluest Eye and Margaret Atwood’s “Lusus Naturae”

Authors

DOI:

https://doi.org/10.28914/Atlantis-2025-47.1.4

Keywords:

Gothic, monster, adolescent, identity, dysfunctional family, community

Abstract

Both Toni Morrison’s The Bluest Eye and Margaret Atwood’s “Lusus Naturae” are anti-Bildungsroman narratives that focus on young women’s rite of passage to womanhood. Morrison’s Pecola and Atwood’s vampire girl are depicted as monsters who are imprisoned within a negative self-image that transforms their world into a nightmare. These girls undergo social and familial victimization, being rejected and ostracized, while their monsterization/dehumanization is emphasized. Morrison and Atwood tackle identity issues such as the female body, femininity, sexuality and (sexual) agency. They expose how the feminine is often seen as the abject within a patriarchal system. They unmask and disclose female victimization and their respective young woman’s identity issues and familial and social problems.

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Author Biography

Manuela López Ramírez, Universitat de València

Manuela López Ramírez is a scholar of American literature, holding an M.A. and a Ph.D. from the University of Valencia. Her research examines Gothic tropes, trauma and healing, gender issues, storytelling —mythic and fairytale intertexts— and racial dynamics in the works of Nathaniel Hawthorne, Toni Morrison and Margaret Atwood. Her publications explore these themes from feminist and critical race perspectives. Her scholarly articles on these subjects have appeared in peer-reviewed journals.

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Published

2025-06-25

How to Cite

López Ramírez, M. (2025). The Gothic Monster Girl in Toni Morrison’s The Bluest Eye and Margaret Atwood’s “Lusus Naturae”. Atlantis. Journal of the Spanish Association for Anglo-American Studies, 47(1), 55–72. https://doi.org/10.28914/Atlantis-2025-47.1.4

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