Representing and Narrating the Self across Media: Vivek Shraya’s Artist Persona

Authors

DOI:

https://doi.org/10.28914/Atlantis-2025-47.2.8

Keywords:

life writing, automedia, self-representation, celebrity, social media, Vivek Shraya

Abstract

Drawing primarily on life-writing scholarship and persona studies, and paying particular attention to the different media affordances, this article traces the autobiographical elements in the oeuvre of Canadian multigenre artist Vivek Shraya. It identifies how Shraya utilizes autobiographical content in various media, platforms, and modes—e.g., essays, a comic book, a play, photography, and Instagram—as one of the tools to create her artist persona. The article argues that through the prolific production of episodical, interconnected and occasionally inconsistent life writing and automedia, Shraya navigates the contemporary pressures on a celebrity artist, particularly one in an intersectionally precarious position: frequent content production, self-commodification and providing the audience with access to their private life. Through a discussion of Shraya’s autobiographical production, this article exemplifies the impact of the digital forms of self-representation on contemporary autobiographical expression.

Downloads

Download data is not yet available.

Author Biography

Karolína Zlámalová, Masaryk University

Karolína Zlámalová (she/her) completed her PhD in the program Literatures in English at Masaryk University in Brno, Czech Republic. Her research focuses on life writing and life representation by marginalized authors. Her work has been published in Life Writing and Sexualities.

References

ABIDIN, Crystal. 2016. “Visibility Labour: Engaging with Influencers’ Fashion Brands and #OOTD Advertorial Campaigns on Instagram.” Media International Australia 161 (1): 86-100.

—. 2018. Internet Celebrity: Understanding Fame Online. Bingley: Emerald Group Publishing.

ASHLEY, Kathleen, Leigh Gilmore and Gerald Peters, eds. 1994. Autobiography and Postmodernism. Amherst: The U of Massachusetts P.

AVIESON, Bunty, Fiona Giles and Sue Joseph, eds. 2017. Mediating Memory: Tracing the Limits of Memoir. New York: Routledge.

BAILEY, Moya. 2015. “#transform(ing)DH Writing and Research: An Autoethnography of Digital Humanities and Feminist Ethics.” Digital Humanities Quarterly 9 (2).

BAYM, Nancy K. 2015. “Connect With Your Audience! The Relational Labor of Connection.” The Communication Review 18 (1): 14-22.

BENSTOCK, Shari. 1991. “The Female Self Engendered: Autobiographical Writing and Theories of Selfhood.” Women’s Studies 20 (1): 5-14.

BONDS, Mark Evans. 2019. The Beethoven Syndrome: Hearing Music as Autobiography. New York: Oxford UP.

BORNSTEIN, Kate. 1994. Gender Outlaw: On Men, Women, and the Rest of Us. New York: Routledge.

CARDELL, Kylie, Kate Douglas and Emma Maguire. 2017. “‘Stories’: Social Media and Ephemeral Narratives as Memoir.” In Avieson, Giles and Joseph 2017, 157-72.

CHANSKY, Ricia Anne and Emily Hipchen, eds. 2016. The Routledge Auto/Biography Studies Reader. London and New York: Routledge

CHUTE, Hillary L. 2010. Graphic Women: Life Narrative and Contemporary Comics. New York: Columbia UP.

DEUZE, Mark and Mirjam Prenger, eds. 2019. Making Media: Production, Practices, and Professions. ‎Amsterdam: Amsterdam UP.

DOUGLAS, Kate and Ashley Barnwell. 2019. Research Methodologies for Auto/biography Studies. New York: Routledge.

DUFFY, Brooke Erin. 2017. (Not) Getting Paid to Do What You Love: Gender, Social Media, and Aspirational Work. New Haven and London: Yale UP.

—. 2019. “# Dreamjob: The Promises and Perils of a Creative Career in Social Media.” In Deuze and Prenger 2019, 375-86.

EAKIN, Paul John. (1985) 2014. Fictions in Autobiography: Studies in the Art of Self-Invention. Princeton: Princeton UP.

—. 1999. How Our Lives Become Stories: Making Selves. Ithaca: Cornell UP.

GILMORE, Leigh. 1994. “The Mark of Autobiography: Postmodernism, Autobiography, and Genre.” In Ashley, Gilmore and Peters 1994, 3-18.

—. 2010. “American Neoconfessional: Memoir, Self-Help, and Redemption on Oprah’s Couch.” Biography 33 (4): 657-79.

—. 2017. Tainted Witness: Why We Doubt What Women Say About Their Lives. New York: Columbia UP.

GOLDHABER, Michael. 1997. “The Attention Economy and the Net.” First Monday 2 (4).

—. 2006. “The Value of Openness in an Attention Economy.” First Monday 11 (6).

GUSDORF, Georges. (1956) 2016. “Conditions and Limits of Autobiography.” In Chansky and Hipchen 2016, 24-30.

HALL, Kimberly. 2022. “Empire of Self: Life Writing and the Professional Persona of the Lifestyle Blogger.” Persona Studies 8 (1): 38-51.

HORSLEY James. 2014. “Autobiography as a Proposed Approach to a Fashion Exhibition.” In Riegels Melchior and Svensson 2014, 186-94.

JACQUES, Juliet. 2017. “Forms of Resistance: Uses of Memoir, Theory and Fiction in Trans Life Writing.” Life Writing 14 (3): 357-70.

KAIPAINEN, Sini. 2022. “‘It’s What I Do’: A Close Reading of Lynsey Addario’s Instagram Profile as Digital Memoir.” Persona Studies 8 (1): 22-37.

KHAMIS, Susie, Lawrence Ang and Raymond Welling. 2017. “Self-Branding, ‘Micro-Celebrity’ and the Rise of Social Media Influencers.” Celebrity Studies 8 (2): 191-208.

KUNKA, Andrew J. 2017. Autobiographical Comics. London: Bloomsbury Academic.

LEJEUNE, Philippe. (1973) 1989. On Autobiography. Translated by Katherine Leary and edited by Paul John Eakin. Minneapolis: U of Minnesota P.

MAGUIRE, Emma. 2014. “Home, About, Shop, Contact: Constructing an Authorial Persona via the Author Website.” M/C Journal 17 (3).

—. 2015. “Self-Branding, Hotness, and Girlhood in the Video Blogs of Jenna Marbles.” Biography 38 (1): 72-86.

—. 2019. “Constructing the ‘Instagirl,’ Deconstructing the Self-Brand: Amalia Ulman’s Instagram Hoax.” European Journal of Life Writing 8: 12-32.

MARSHALL, P. David and Sean Redmond. 2015. A Companion to Celebrity. Hoboken: Wiley-Blackwell.

MARSHALL, P. David, Christopher Moore and Kim Barbour. 2019. Persona Studies: An Introduction. Hoboken: Wiley-Blackwell.

MARWICK, Alice. E. 2015. “You May Know Me from Youtube: (Micro‐)Celebrity in Social Media.” In Marshall and Redmond 2015, 333-50.

MARWICK, Alice. E. and Danah Boyd. 2011. “To See and Be Seen: Celebrity Practice on Twitter.” Convergence 17 (2): 139-58.

MASON, Mary G. 1980. “The Other Voice: Autobiographies of Women Writers.” In Olney 1980, 207-35.

MCNEILL, Laurie and John David Zuern. 2015. “Online Lives 2.0: Introduction.” Biography 38 (2): v-xlvi.

MCRAE, Sarah. 2017. “Get Off My Internets: How Anti-Fans Deconstruct Lifestyle Bloggers’ Authenticity Work.” Persona Studies 3 (1): 13-27.

MISCH, Georg. (1950) 2016. “Conception and Origin of Autobiography.” In Chansky and Hipchen 2016, 15-23.

MOORE, Christopher, Kim Barbour and Katja Lee. 2017. “Five Dimensions of Online Persona.” Persona Studies 3 (1): 1-11.

MORRIS, Jeremy Wade. 2014. “Artists as Entrepreneurs, Fans as Workers.” Popular Music and Society 37 (3): 273-90.

MORRISON, Aimee. 2019. “Social, Media, Life Writing: Online Lives at Scale, up Close, and in Context.” In Douglas and Barnwell 2019, 41-48.

MORSE, Nicole Erin. 2019. “The Transfeminine Futurity in Knowing Where to Look: Vivek Shraya on Selfies.” TSQ: Transgender Studies Quarterly 6 (4): 659-666.

OLNEY, James. 1980. Autobiography: Essays Theoretical and Critical. Princeton: Princeton UP.

PHAM, Minh-Hà T. 2015. “‘I Click and Post and Breathe, Waiting for Others to See What I See”: On #FeministSelfies, Outfit Photos, and Networked Vanity.” Fashion Theory 19 (2): 221-41.

POLETTI, Anna. 2005. “Self-Publishing in the Global and the Local: Situating Life Writing in Zines.” Biography 28 (1): 183-92.

—. 2017. “What’s Next? Mediation.” a/b: Auto/Biography Studies 32 (2): 263-66.

—. 2020. Stories of the Self. New York: NYU Press.

POLETTI, Anna and Julie Rak, eds. 2014. Identity Technologies: Constructing the Self Online. Madison: U of Wisconsin P.

RAK, Julie. 2013. Boom! Manufacturing Memoir for the Popular Market. Waterloo: Wilfrid Laurier UP.

—. 2015. “Life Writing Versus Automedia: The Sims 3 Game as a Life Lab.” Biography 38 (2): 155-80.

RIEGELS MELCHIOR, Marie and Birgitta Svensson, eds. 2014. Fashion and Museums: Theory and Practice. London: Bloomsbury.

SHRAYA, Vivek. 2010. “Seeking Single White Male.” Vivek Shraya film, 2:20. August 1. [Accessed March 24, 2023].

—. 2014a. “Holy Mother My Mother.” Vivek Shraya film, 7:15. May 5. [Accessed March 24, 2023].

—. 2014b. She of the Mountains. Vancouver: Arsenal Pulp Press.

—. 2016a. even this page is white. Vancouver: Arsenal Pulp Press.

—. 2016b. “Trisha.” Vivek Shraya photo essay. April 24. [Accessed March 24, 2023].

—. 2017. “I Want to Kill Myself.” Vivek Shraya photo essay, February 15. [Accessed March 24, 2023].

—. 2018. I’m Afraid of Men. Toronto: Penguin.

—. 2019a. “fam#.’” Vivek Shraya. Instagram post. September 22.

—. 2019b. “Trauma Clown.” Vivek Shraya photo series, May 4. [Accessed March 24, 2023].

—. 2020a. The Subtweet: A Novel. Toronto: ECW Press.

—. 2020b. “Pantene | #HairHasNoGender: Vivek Shraya Family Photo Recreated.” Pantene. Youtube video 1:50. November 23. [Accessed March 24, 2023].

—. 2020c. “My mother and Brother.” Vivek Shraya. Instagram post. November 23.

—. 2021a. “Legends of the Trans.” Vivek Shraya photo essay. October 18. [Accessed March 24, 2023].

—. 2021b. “2021 CLC Kreisel Lecture with Vivek Shraya: ‘Next Time There’s a Pandemic.’” Canadian Literature Centre. Youtube video 1:15:00. April 9. [Accessed March 24, 2023].

—. 2021c. How to Fail as a Popstar. Vancouver: Arsenal Pulp Press.

—. 2022a. “Chatelaine: ‘Do You Think.’” Vivek Shraya. Instagram post. January 8. [Accessed March 24, 2023].

—. 2022b. “I Give Myself a Future, I Give Myself a Past.” Vivek Shraya photo series. September 16. [Accessed March 24, 2023].

—. 2022c. Next Time There’s a Pandemic. Edmonton: U of Alberta P.

—. 2022d. People Change. Toronto: Penguin.

SHRAYA, Vivek and Ness Lee. 2019. Death Threat. Vancouver: Arsenal Pulp Press.

SHRAYA, Vivek and Juliana Neufeld. 2022. Revenge of the Raccoons. Toronto: Owlkids.

SMITH, Sidonie. 1998. “Performativity, Autobiographical Practice, Resistance.” In Smith and Watson 1998, 108-15.

SMITH, Sidonie and Julia Watson, eds. 1996. Getting a Life: Everyday Uses of Autobiography. Minneapolis: U of Minnesota P.

—, eds. 1998. Women, Autobiography, Theory: A Reader. Madison: U of Wisconsin P.

—, eds. 2002. Interfaces: Women, Autobiography, Image, Performance. Minneapolis: U of Minnesota P.

—. 2010. Reading Autobiography: A Guide for Interpreting Life Narratives. Minneapolis: U of Minnesota P.

—. 2014. “Virtually Me: A Toolbox about Online Self-Presentation.” In Poletti and Rak 2014, 70-95.

STANLEY, Liz. 1992. The Auto/biographical I: The Theory and Practice of Feminist Auto/biography. Manchester: Manchester UP.

TURNER, Graeme, Frances Bonner and P. David Marshall. 2000. Fame Games: The Production of Celebrity in Australia. Cambridge: Cambridge UP.

TURRI, Anna. M., Karen H. Smith and Elyria A. Kemp. 2013. “Developing Affective Brand Commitment through Social Media.” Journal of Electronic Commerce Research 14 (3): 201-14.

WHITLOCK, Gillian. 2006. “Autographics: The Seeing ‘I’ of the Comics.” MFS Modern Fiction Studies 52 (4): 965-79.

WONG, Hertha D. Sweet. 2018. Picturing Identity: Contemporary American Autobiography in Image and Text. Chapel Hill: UNC Press Books.

Downloads

Published

2025-12-09

How to Cite

Zlámalová, K. (2025). Representing and Narrating the Self across Media: Vivek Shraya’s Artist Persona. Atlantis. Journal of the Spanish Association for Anglo-American Studies. https://doi.org/10.28914/Atlantis-2025-47.2.8

Issue

Section

Articles