Elena Oliete-Aldea, Beatriz Oria and Juan A. Tarancón, eds. 2016. Global Genres, Local Films: The Transnational Dimension of Spanish Cinema

Paul Mitchell


Book review

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Benet, Vicente J. 2015. “Spanish Archetypes in Transnational Cinema: A Comparative Study of Iconography.” Journal of Spanish Cultural Studies 16 (1): 9-27.

Berger, Verena. 2016. “Going Home: Mobility and Return Journeys in French and Spanish Road Movies.” Transnational Cinemas 7 (2): 168-182.

Cerdán, Josetxo and Miguel Fernández Labayen. 2015. “Mediating Migration in Ceuta, Melilla and Barcelona: Border Thinking and Transnationalism from Below in Independent Documentary.” Transnational Cinemas 6 (2): 137-155.

Craig, Linda. 2010. “From National to Transnational in Pedro Almodóvar’s All About My Mother.” Transnational Cinemas 1 (2): 161-174.

Dapena, Gerard, Marvin D’Lugo and Alberto Elena. 2013. “Transnational Frameworks.” In A Companion to Spanish Cinema, edited by Jo Labanyi and Tatjana Pavlović, 30-40. Oxford: Wiley Blackwell.

Dennison, Stephanie, ed. 2013. Contemporary Hispanic Cinema: Interrogating the Transnational in Spanish and Latin American Film. Woodbridge: Tamesis.

Falicov, Tamara L. 2013. “Cine en Construcción/Films in Progress: How Spanish and Latin American Filmmakers Negotiate the Construction of a Globalized Arthouse Aesthetic.” Transnational Cinemas 4 (2): 252-271.

Ibáñez, Juan Carlos. 2013. “Another Vision: Memories of the Civil War in Coproductions of Recent (Spanish?) Cinema.” In Transnational Cinema in Europe, edited by Manuel Palacio and Jörg Türschmann, 93-104. Zurich: Lit Verlag.

Jorza, Diana Roxana. 2011. “A Neorealist Melodrama’s Problematic Contention with Hollywood: Calle Mayor (1956).” Studies in Hispanic Cinemas 7 (2): 117-132.

Labanyi, Jo. 2002. “Historia y mujer en el cine del primer franquismo.” Secuencias 15: 42-59.


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ISSN: 0210-6124 | e-ISSN: 1989-6840. © Atlantis/Aedean 2013.
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