2018: Vol. 40, Num. 1

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Table of Contents


Negative Preposing: Intervention and Parametric Variation in Complement Clauses PDF
Ángel Luis Jiménez-Fernández 11-37
“Which Came First: The Chicken or the Egg?” Ditransitive and Passive Constructions in the English Production of Simultaneous Bilingual English Children PDF
Silvia Sánchez-Calderón, Raquel Fernández-Fuertes 39-58
Genre Shifting in Restoration Adaptations of Cervantes’s “El curioso impertinente” PDF
Jorge Figueroa Dorrego 59-75
Graham Greene’s The Living Room: An Uncomfortable Catholic Play in Franco’s Spain PDF
Mónica Olivares Leyva 77-95
The Storyteller’s Nostos: Recreating Scheherazade and Odysseus in Kazuo Ishiguro’s Never Let Me Go PDF
Manuel Botero Camacho, Miguel Rodríguez Pérez 97-115
Talking Bodies: Sexual Abuse, Language, Illness and Dissociation in Camilla Gibb’s Mouthing the Words PDF
Shadia Abdel-Rahman Téllez 117-133
“Thus Spoke Proctor”: Nietzsche and the Overman in Arthur Miller’s The Crucible PDF
Pouria Torkamaneh, Ali Ghaderi 135-152
Nonnarrative and History in Barrett Watten’s Under Erasure PDF
Manuel Brito 153-174
The Thin Frontera between Visibility and Invisibility: Felicia Luna Lemus’s Like Son PDF
Amaia Ibarraran-Bigalondo 175-191
Transgenerational Affect and Cultural (Self)Acceptance in Two TransCanadian Short Stories PDF
Belén Martín-Lucas 193-211


F. Scott Fitzgerald. 2016. Poemas de la era del jazz. Introducción y traducción de Jesús Isaías Gómez López. PDF
Juan Ignacio Guijarro González 215-218
María Losada-Friend, Auxiliadora Pérez-Vides and Pilar Ron-Vaz, eds. 2016. Words of Crisis, Crisis of Words: Ireland and the Representation of Critical Times. PDF
Marta Ramon Garcia 219-223
Bart Eeckhout and Lisa Goldfarb, eds. 2017. Poetry and Poetics after Wallace Stevens. PDF
Santiago Rodríguez Guerrero-Strachan 225-229