2018: Vol. 40, Num. 1

Articles

• Negative Preposing: Intervention and Parametric Variation in Complement Clauses

  Ángel Luis Jiménez-Fernández

  11-37

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• “Which Came First: The Chicken or the Egg?” Ditransitive and Passive Constructions in the English Production of Simultaneous Bilingual English Children

  Silvia Sánchez-Calderón, Raquel Fernández-Fuertes

  39-58

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• Genre Shifting in Restoration Adaptations of Cervantes’s “El curioso impertinente”

  Jorge Figueroa Dorrego

  59-75

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• Graham Greene’s The Living Room: An Uncomfortable Catholic Play in Franco’s Spain

  Mónica Olivares Leyva

  77-95

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• The Storyteller’s Nostos: Recreating Scheherazade and Odysseus in Kazuo Ishiguro’s Never Let Me Go

  Manuel Botero Camacho, Miguel Rodríguez Pérez

  97-115

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• Talking Bodies: Sexual Abuse, Language, Illness and Dissociation in Camilla Gibb’s Mouthing the Words

  Shadia Abdel-Rahman Téllez

  117-133

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• “Thus Spoke Proctor”: Nietzsche and the Overman in Arthur Miller’s The Crucible

  Pouria Torkamaneh, Ali Ghaderi

  135-152

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• Nonnarrative and History in Barrett Watten’s Under Erasure

  Manuel Brito

  153-174

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• The Thin Frontera between Visibility and Invisibility: Felicia Luna Lemus’s Like Son

  Amaia Ibarraran-Bigalondo

  175-191

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• Transgenerational Affect and Cultural (Self)Acceptance in Two TransCanadian Short Stories

  Belén Martín-Lucas

  193-211

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• F. Scott Fitzgerald. 2016. Poemas de la era del jazz. Introducción y traducción de Jesús Isaías Gómez López.

  Juan Ignacio Guijarro González

  215-218

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• María Losada-Friend, Auxiliadora Pérez-Vides and Pilar Ron-Vaz, eds. 2016. Words of Crisis, Crisis of Words: Ireland and the Representation of Critical Times.

  Marta Ramon Garcia

  219-223

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• Bart Eeckhout and Lisa Goldfarb, eds. 2017. Poetry and Poetics after Wallace Stevens.

  Santiago Rodríguez Guerrero-Strachan

  225-229

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